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Francois Zille

Troubadour of communication
…since 1967

As an Hermeneutist & Psycho-Philosopher, Visual Anthropologist & Language Engineer,

 as well as a Socio-Analyst Entrepreneur,

François Zille is amongst those contemporary Intellectuals & independent Researchers

who are academically-artistically-professionally pioneering

the genesis of the Digital Era’s New Paradigms,

in harmony with the holistic-ecological-systemic approach

outlined by Leonardo da Vinci.

François Zille’s latest Essay

“A NEW PARADIGM OF FREEDOM”

 is available in the English International E-book Edition

on Amazon Kindle Direct Publishing

in the “Anthropology” section,

with an epistemic preface by Rolando Bellini,

a comparative preface by Alessandro Mendini

and a poetical preface by Riccardo Dalisi.


Academical-Artistic-Professional Consolidated Areas of High Specialization

Copyright © by François Zille 2016

.1 =

: CROSS MARKETING & ALLPERVADING COMMUNICATION

APPLIED TO DIGITAL & ARTIFICIAL INTELLIGENCE ERA ART, DESIGN & FASHION 

 

.2 =

: LEONARDO DA VINCI SYSTEMIC R&D AND PROJECTIVE APPROACH

FOCUSED ON THE QUANTUM PRIMACY OF RECONNECTIVE ART & SCIENCE

 

.3 =

: HERMENEUTICS & PSYCHO-PHILOSOPHY

APPLIED TO THE SYSTEMIC & MULTISENSORIAL PLANNING PROCESSES

 

.4 =

: PROJECTIVE READING OF THE PSYCHO-SOCIO-ANTHROPOLOGY OF COMPLEX SOCIETIES

IN THEIR POST-LIQUID PHASE

 

.5=

: PROJECTIVE READING

OF THE HISTORICAL GENESIS OF THE DIGNITY OF THE AESTHETICS OF SUFFERING

AND OF ITS NEW CONTEMPORARY PARADIGMS

 

François Zille

. Visual Anthropologist & Language Engineer

. Hermeneutist & Psycho-Philosopher

. Décor Designer & Décor Therapist

. Socio-Analyst & Senior Strategist

. Brand Intensity & Quantum Experience Engineer


KNOW HOW & EXPERTISE ROADMAP

Indepedent Research Director, Accademical & Professional Specialist in

: Semiotics of Applied Arts

: Hermeneutics & Psycho-Philosophy applied to R&D, Design, Marketing & Communication

: SGL Systemic Green Learning for Artists, Architects, Designers & Engineers Up-Grading

: Panic & Re-Connective Interior Design & Urban Furnishings

: Projective Mapping of Individual & Territorial Biodiversity Rate & Factors

: Projective Lecture of Territorial & Individual Psycho-Chromatic Biodiversity

: Projective Hermeneutics of the Inner Child and the Inner Witness

– Accademic-Professional-Artistic Works Publishedunder the Patronage of the Italian Institute for Philosophical Studies- ISTITUTO ITALIANO PER GLI STUDI FILOSOFICI (IISF)

– Publishers: ELECTA, LOGO FAUSTO LUPETTI EDITORE

– Students-Friendly & Sustainable University Press on demand: LIBERODISCRIVERE EDIZIONI Genova

– INDEPENDENT RESEARCH DIRECTOR & PROFESSOR at ACCADEMIA DI BRERA MILANO

– FORMER INDEPEDENT RESEARCH DIRECTOR & VISITING PROFESSORat MASTER POLITECNICO MILANO

– FORMER PROFESSOR at ACCADEMIA DI BELLE ARTI DI VERONA

= THE NEW FLORENCE BIENNALE SENIOR STRATEGIST & BRAND IDENTITY ENGINEER

= “Pelle di Mare” Founding Partner, Brand Identity Engineer & Art Director

= Hi-­Venice Pelle di Mare Manufacturing Company President

= TPA Teatro del Progetto Ambulante Founding Partner & Theatricality Engineer

François Zille is the proud son of a miner-­cook-­pastry chef from Friuli and a seasonal rice winnower from Ferrara.

Since childhood he was constrained to the cult of language, of dialectics and excellence in order to survive as the son of Italian immigrants in postwar France.

Meaning that he had to daily auto-­shape a solid and mutant identity.

Thanks to God, he was encouraged in this by design and creative Italic vein.

And by his innate vocation to irreverence and rebellion, enriched by a very early encounter with San Francesco, Voltaire, Francois Rabelais,

Antoine de Saint Exupéry and Frédéric Dard.

The acquired expertise of Visual Anthropologist is a happy consequence of the polio contracted at age eleven and a half, since he was forced to imagine and visualize the food on the walls of his room in Hôpital de la Croix Rousse in Lyon (1958-­1959).

The objective of this propitious rite was to exorcise the frustrations of his taste buds deprived of direct contact with the food because, for many months, he was fed only with a nasal gastric tube.

Since then, FZ tends to express the strong hermeneutic and psycho-­philosophical tension that characterizes him by the use of a logo-iconic language original and surprising, unique in the academic-­professional-­artistic realm.

And his “Vignettes Psycho-­Philosophiques” have shown in the field to have a high empathic impact, neo-­cognitive and didactic-­formative.

François Zille began his professional career in 1963 as a Liftier at the Grand Hotel Continental in Via Manzoni in Milan, at the time renowned hotel of the stars of the Teatro alla Scala.

Where he had the good fortune to meet and dialogue with mythical people such as Jean Villard, founder of TNP Théâtre National Populaire de Paris and of legendary Avignon Theatre Festival, Giorgio De Chirico, the co­father 2 of the metaphysical movement, theatre actor Tino Buazzelli, and the great film star and intellectual Gian Maria Volonté.

Entered by chance in advertising in 1967, shortly after Pia De Fazio and Bob Elliott hired him as their junior copywriter to work “in Agency (CPV Kenyon & Eckart Rome 1969, Alitalia’s New Logo & Refounding Campaign “Dimensions ’70”).

Between 1969-­70 transits to J. Walter Thompson of Milan with Anna Scotti, before Luigi Montaini “enlists” him peremptorily in the pioneering Milanese Advertising Agency Troost-Staff, where Luigi was successfully introducing in Italy the Modern Anglo-Saxon New Paradigm of Creativity in Advertising: a story that lasted without recurrence for over 45 years.

With a very strong impression left by the mentoring of transversal & systemic Masters such as Gregory Bateson, Fritjof Capra, Krishnamurti, Osho, Marshal Mc Luhan, Paul Wazlawitz, Ionesco, Jean Cocteau, Jean Guitton, Hugo Winkler, Mircea Eliade, Ernst Gombrich, Bill Bernbach, David Ogilvy, Armando Testa, Lévy-Strauss, Bachelard, Lorenz, Popper, Roland Barthes, Ettore Sottsas, James Lovelock, Thorvald Dethlefsen, Edgar Morin, Gillo Dorfles, Alessandro Mendini, Umberto Eco, Noam Chomsky, Jerry A. Fodor, Richard Sennett, Piatelli-­Palamarini and the Dalai Lama.

And a vibrant systemic expansion of its sphere of activity with the opening of the academic-artistic front. FZ has lived for work and for his studies in Philosophy of the Tradition, Comparative Religions & Cosmogonies, Anthropology, Anthroposophy, Psycho-Sociology of Complex Societies and Spatial Archeology in Spain, Portugal, Bolivia, Brazil, Argentina, Galapagos Islands Ecuador, Dominican Republic, Haiti, Colombia, USA, Chile and China.

A pioneer and neo-­utopian innovator freed from any form of subjection from the establishment, FZ has linked his name to a long series of records of which we here mention only five amongst the most poetic and intriguing…

: together with Luigi Ciccognani and Marco Carozzi has designed the first advertising campaign with a Comparative Hermeneutics approach (Moskovskaya Vodka, Ogilvy & Mather Milan, 1973)

: with L. Ciccognani designed the first “silent” & ecological commercial “carrosello” (historical Italian evening TV advertising format, Amaro Averna, AdMarco Florence, 1975)

: always with L. Ciccognani was the first publisher of avant-­garde Art to introduce a work of Body-­Art (Gunther Brus, the leader of Viennese Actionism ‐ Flexus Movement, Michelangelo-inspired Body Sculptural Performance simulating an epileptic attack “Ana”, dedicated to his Mother, also commented by Lea Vergine/L’Espresso, Milan 1970)

: for Slamp has designed “Scripta Braille”, the first lamp conceived for the blind, by now “historical” and in use in Catania-Sicily at the “Polo Multimediale per Disabili Visivi” and in other advanced Multimedial Visual Disability Centers (Rome, 2007)

: has conceived & realized for MISIAD Milanosiautoproducedesign, a new Fuorisalone Event designed by Alessandro Mendini in the context of the 2012 Milano’s Salone Internazionale del Mobile, “HOMO SYSTEMIX”, a provocative and “elevationary” Art-­Design Socio-­Anthropo Sculpture inspired from Leonardo’s “Uomo di Vitruvio”.

 


 François Zille Main Works, Essays & Research Projects

 

 . 1=

THE EYE OF PANOPOLIS

Panic Function & Urban Furnishings

Original Italian Title

: L’OCCHIO DI PANOPOLIS

Funzione Panica & Arredo Urbano

Occhio-di-Panopolis_Electa-Napoli_FZille

. With Prof. Riccardo Dalisi

and the University of Naples “Federico II”

and the Moral Patronage

of the Italian Institute for Philosophical Studies (IISF)

. A Neo‐Utopian Project for the introduction of Panic Therapy

in Urban Furnishings in the 21st century

. A Systemic and Re-°©‐Connective Essay on the epochal encounter

between the New Paradigm of Science

and the New Paradigm of Theology

and its influence on the Aesthetics and Social Metropolitan Environment

. Selected by “Hoepli.it”, the Online Bookshop of Milan’s Libreria Hoepli

. ELECTA, Naples 1999

Bilingual Italian-English International Edition

 

 . 2=

ETHOS & DESIGN

Manual for the Young Generations of Designers in search for a Mission

Original Italian Title

:  ETHOS & DESIGN

Manuale per le nuove generazioni di Designer in cerca di una missione

Ethos&Design_Electa-Napoli_FZille

. With Prof. Riccardo Dalisi

and the University of Naples “Federico II”

and the Patronage of IED Rome

. Officially Presented by Prof. Domenico De Masi

in the Rome IED’s Aula Magna

. Preface by Alessandro Mendini and Cleto Munari

. ELECTA, Naples 2001

Bilingual Italian-English International Edition

 

 . 3=

“DE ANHELITU AD VIRTUTEM”

& Universal Declaration of the Rights of Peace

(Original Latin Title)

De-Anhelitus-at-Virtutem_FZille

. A Popular Approach to Projective Socio-Analysis

focused on Founding Elements of Hermeneutics, Philology,

Psycho-Philosophy & Comparative Anticipatory Planning

Applied to Design Disciplines

. Studio64 Edizioni Liberodiscrivere, Genova 2008

Italian Monolingual University Edition

 

. 4=

From the Spoken Book to the Spoken Design

 12 ILLUMINED APHORISMS ON THE R.O.D.

Original Italian Title

: Dal Libro Parlato al Design Parlato

12 AFORISMI ILLUMINATI ON THE R.O.D.

propaganda

. An Educational and Up-Grading Story Telling Performance

focused on the Narration of the Genesis of “Scripta Braille”,

the world first lamp for Blind People

designed in 2007 by François Zille for Slamp,

to introduce a Systemic Approach to Blindness

by stimulating a social & projective acknowledgement of the Visual Disabled

as strategic “Donators of Know How”

. Preface by Alessandro Mendini and Riccardo Dalisi

. Also includes the Essay

“Design on the R.O.D. (Research Oriented Design)

:The Art of Attaining the Strategic Heart”

Originally written solely in English Version by François Zille

and revised by Elizabeth Heather Mugan (Asha) )

. In collaboration with

“Centro Libro Parlato Lions di Milano”

. Audio CD for Blind People enclosed

. Selected by “Hoepli.it”, the Online Bookshop of Milan’s Libreria Hoepli

. Studio 64 Edizioni Liberodiscrivere, Genova 2010

Italian Monolingual University Edition

 

.5=

MANIFESTO

FOR A SYSTEMIC CRITICAL READING

OF CONTEMPORARY ART

Original Italian Title

 : MANIFESTO PER UNA LETTURA CRITICA SISTEMICA

DELL’ARTE CONTEMPORANEA

format12x16,5_5

. With the Moral Patronage

of the Italian Institute for Philosophical Studies (IISF)

. Preface by Alessandro Mendini, Riccardo Dalisi, Cleto Munari

. A Call‐to‐Action to the New Generations

frescoed as a “Vagabond Essay”

for the Academical‐Professional‐Artistic Universe

of Art and Applied Arts

. Studio 64 Edizioni Liberodiscrivere,

Genova 2010

Italian Monolingual University Edition

 

. 6=

A NEW PARADIGM OF FREEDOM

How to defeat the aesthetics of abomination

and the “culture of obsolescence”

a-nrew-paradigm-of-freedom-zille

of the Italian Institute for Philosophical Studies

(Istituto Italiano per gli Studi Filosofici IISF)

Comparative Preface by Alessandro Mendini,

Epistemic Preface by Rolando Bellini,

Poetic Preface by Riccardo Dalisi

 International E‐Book Edition Published by

AMAZON KINDLE DIRECT PUBLISHING KDP

August 2012

 

= 07.

A NEW PARADIGM OF FREEDOM

How to defeat the aesthetics of abomination

and the “culture of obsolescence”

Original Italian Title

: UN NUOVO PARADIGMA DI LIBERTA’

Come sconfiggere l’estetica dell’abominazione

e la cultura della “fast obsolescence”

Un-Nuovo-Paradigma-di-Liberta_FZille

with the Moral Patronage

of the Italian Institute for Philosophical Studies

(Istituto Italiano per gli Studi Filosofici IISF)

Comparative Preface by Alessandro Mendini,

Epistemic Preface by Rolando Bellini,

Poetic Preface by Riccardo Dalisi

 Printed edition in Italian language by

LOGO FAUSTO LUPETTI EDITORE MILANO – BOLOGNA

Cultura della Comunicazione

Ottobre 2012


FRANCOIS ZILLE CREATIONS & EXHIBITION SALES


VISIT FRANCOIS ZILLE FRIENDS GALLERY

(Compilation in progress)


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